What's On

The Duchess of Malfi
 

Arrant Knaves Theatre Company proudly presents

The Duchess of Malfi
By John Webster
Adapted and Directed by Tom Bradley

A legendary true story of love, murder, betrayal… and two all-consuming secrets.

Often regarded as one of the last great tragedies of the Elizabethan and Jacobean era, The Duchess of Malfi is John Webster’s defining masterpiece. Set in the 1500s in Malfi, Italy, and based on a true story, it speaks of the undying love a spirited Duchess has for her steward. Married in secret at a time when women’s lives were politicised and controlled by men, this four-century-old classic still powerfully resonates today as we watch women fight around the world for agency and the right to make choices about their own bodies that aren’t curated by men.

The Duchess of Malfi begins as all great tales do… as a love story. A recently widowed young woman now determined to set her own agenda, she chooses her new partner on her own terms - ignoring the demands of two puritanical brothers and the expectations of an unyielding patriarchy. But, in the end, her brothers enact their revenge and what started with hope and love rots into a nightmarish tragedy.

Running in the Meat Market Cobblestone Pavilion, this compelling new adaptation by Arrant Knaves Theatre Company takes its inspiration from the world of gothic horror, drawing spectators into a fascinating web of intrigue and fear. Running for a limited season from the 15th to the 24th of February it brings together an outstanding team of Australian cast and creatives and promises to be a true highlight at the start of the 2024 Melbourne Arts Calendar.

Based in Melbourne, Arrant Knaves Theatre Company is a company of theatre makers who work to reimagine classical play texts and gain new insights into how these works reflect the fault lines that exist in contemporary society.

Directed by Tom Bradley
Performed by Tyrie Aspinall, Chris Boek, Tom Bradley, Christina Costigan, Christien Dariol, Flynn Davis, Sophie Graham, Bruce Langdon, Yvonne Martin, Justin Parslow, and Marisa Warrington
Set Design by Harry Gill
Lighting Design by Sidney Younger
Production Manager: Nicole Riley
Promo Images by Daniel Rabin Photography
Publicity by Sassy Red PR

15 – 24 February 2024
Tues – Sat 7:30pm, Sun 5pm
Opening Night - 16 February 7:30pm
Tickets: $45 Full, $35 Concession, $25 Student
Bookings: online via www.arrantknaves.com.au/whats-on
Enquiries: This email address is being protected from spambots. You need JavaScript enabled to view it.
Location: Meat Market (Cobblestone Pavilion) - 3 Blackwood Street, North Melbourne
www.arrantknaves.com.au

Duration: 2 and a half hours including interval
Age Suitability: 13+
Access: www.meatmarket.org.au/about/accessibility-statement
Warnings: Haze, sexual references, simulated violence

 

Event details

Venue: Meat Market (Cobblestone Pavilion) - 3 Blackwood Street, North Melbourne
Bookings: online via www.arrantknaves.com.au/whats-on
Start Date: Thursday 22 February 2024

 

Find more events in Melbourne»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.