What's On

New Breed
 

Sydney Dance Company will return to the stage at the end of November with New Breed, an annual celebration of the best emerging Australian choreography, in partnership with Carriageworks and generously supported by The Balnaves Foundation.

Showcasing a rich diversity of choreographic ideas, an incredibly talented group of choreographers have created Covid-safe, socially distanced new works on members of Sydney Dance Company; a true reflection of how art and creativity can respond to this unprecedented time and its impact on performance.

We're thrilled to announce that the four New Breed choreographers this year are Joel Bray from Melbourne, Sydney-based Raghav Handa and Sydney Dance Company dancers Chloe Leong and Jesse Scales.

Don’t miss this limited season of raw talent and, unique fresh ideas from some of Australia’s most exciting dance creators.

New Breed is made possible by The Balnaves Foundation and co-presented with Carriageworks.

 

Event details

Venue: Carriageworks - 245 Wilson St, Eveleigh NSW 2015
Bookings: This email address is being protected from spambots. You need JavaScript enabled to view it.
Start Date: Thursday 26 November 2020

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.