What's On

Glittery Clittery: A Consensual Party
 

Presented by Griffin Theatre Company and The Furies

You’re invited to join the all-singing, all-dancing Cliterati: a not-so-secret society dedicated to combating misogyny and oppression, fuelled by champagne and armed with a killer disco soundtrack.

Part explosive comedy cabaret, part interactive club night, this fiercely funny show by three comedy goddesses brandishes bedazzled weapons of original live music, games, glamour and epic dance moves to wage war on the oppressive forces of bigotry, sexism and homophobia.

“An all-singing, sparkle-filled show with a strong message of female empowerment set to cracking tunes…irresistibly energetic.”
★★★★ Chortle

Winner Best Cabaret, Adelaide Fringe Festival 2018

Director Clare Bartholomew
Designers Alicia Fernandez, Alice Edgley
With Laura Frew, Rowena Hutson, Tessa Waters

Opening Night 8 July
Season 9 – 20 July

Performance Times
Monday – Saturday 7pm

 

Event details

Venue: SBW Stables Theatre, 10 Nimrod St, Kings Cross
Bookings: This email address is being protected from spambots. You need JavaScript enabled to view it.
Start Date: Monday 08 July 2019

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.