What's On

The Shakesbeer Sessions: Much Ado About Nothing at Misfits, Redfern
 

othing, is part of the inaugural Shakesbeer Sessions. Look forward to a night of short, sharp Shakespeare as 2 of his greatest creations go head to head in a battle of wits.

Leaping off the page and into the pub, Beatrice and Benedick attempt to save a wedding under threat by the villainous Don John. More romance than The Bachelor, better writing than Home & Away, and actors that will share a drink with you.

 

Event details

Venue: 106 George St, Redfern NSW 2016, Australia
Bookings: This email address is being protected from spambots. You need JavaScript enabled to view it.
Start Date: Thursday 14 March 2019

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.