What's On

LUCIA DI LAMMERMOOR
 

Following in the footsteps of Dame Nellie Melba and Joan Sutherland as one of just three Australians to sing the role on the hallowed La Scala stage, celebrated Australian soprano Jessica Pratt returns home to make her Sydney Opera House debut as the troubled Lucia. Taking on the vocally and emotionally challenging role of a woman on the edge of insanity, Pratt is joined on stage in this bloody production by dynamic American tenor Michael Fabiano who returns to Sydney after his Helpmann Award-winning performance in OA’s Faust (2015).

 

Event details

Venue: Joan Sutherland Theatre, Sydney Opera House
Bookings: + 61 2 9318 8200
Start Date: Thursday 28 June 2018

http://opera.org.au

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.