What's On

Instructions for Correct Assembly
 

In a time when artificial intelligence is rewriting how we work, communicate, and even love, Instructions for Correct Assembly arrives on the Sydney stage with uncanny relevance. 

When Sydney couple, Hari and Max, purchase a build-at- home, artificially intelligent son, they are thrust into a journey of programming, socialising, and reassembling the future they lost. As they introduce their AI "child" to friends and move him into their late son's bedroom, the complexities of grief, pressure, and unmet expectations rise to the surface. The more they try to erase pain, the less human their lives become. 

Direct from London's Royal Court Theatre, by acclaimed playwright Thomas Eccleshare, Instructions for Correct Assembly is a theatrically inventive, morally tangled work that hacks the heart of the family unit and slices into the anxieties of modern life. 

★★★★ “Dazzlingly assured, funny and perturbing... Assemble at once to see it” – The Telegraph 
★★★★ “Thomas Eccleshare’s new play about parenthood is deftly done, funny and, at times, almost unbearably poignant” – The Times
 

26 June - 5 July | 7.30PM (Sunday 29 June, 5PM matinee) 
Flight Path Theatre, Marrickville
Tickets from $37 | More info at www.flightpaththeatre.org 

 

Event details

Venue: Flight Path Theatre, Marrickville
Bookings: www.flightpaththeatre.org/whats-on/instructions-for-correct-assembly
Start Date: Saturday 28 June 2025

Show commences at 7PM, approx running time 90 mins.
Note - Sunday 29 June is a 5PM matinee.

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read Sydney reviews

  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
  • Sistren | Griffin Theatre Company
    Sistren | Griffin Theatre Company
    Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
  • Anastasia – The Broadway Musical
    Anastasia – The Broadway Musical
    Anastasia is a spectacle and the technical prowess is spectacular.
  • Gutenberg! The Musical
    Gutenberg! The Musical
    As befitting a work honouring the inventor of the printing press, Gutenberg! The Musical! is enamoured of words, drunk on words, intoxicated with text, mad for the metaphor, passionate for the pun.

Most read reviews

  • MJ the Musical
    MJ the Musical
    MJ the Musical takes you on an immersive experience, like a montage of Michael’s memories and influences leading up to his ‘Dangerous’ tour.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Heathers The Musical
    Heathers The Musical
    Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.