Assuming penelope is required, and broadbent is required, the following 71 results were found.
Matilda and Paterson are out of control. Issues and chores are pushed aside, left where they are...
Rockabye | Melbourne Theatre Company
This is undoubtedly some of the most exciting work to come out of Australia but interestingly, it...
Knives In Hens | Malthouse Theatre and STCSA
Knives in Hens is full of metaphors and ambiguity, a work that for its audience, resonates in...
Melbourne audiences have just had the rare opportunity to witness twelve soloists and principals...
Savage River | Melbourne Theatre Company
Savage River, directed by the MTC’s Associate Director Peter Evans, opens the first season at the...
Crazy For You | The Production Company
Crazy For You offers a great night out, full of the fun, glitter, dance and catchy songs that...
Paris Match | The Australian Ballet
Paris Match is The Australian Ballet’s latest programme to be brought to Melbourne and it...
The primary reason that it is so difficult to follow Poet #7’s characters and plot, is that the...
August: Osage County | Melbourne Theatre Company
Tracy Letts’s August: Osage County has it all: adultery, cancer, suicide, incest, drugs, plate...
This work takes its audience on an adventure far greater than that which they have come to expect...
The show is a mix of old and new songs, all displaying the strength of her voice and performance...
One Night Stand | Anthony Salame
To fully appreciate Anthony Salame’s stand-up show One Night Stand it is best to view him as you...
These three men are apparently “the hottest new talents” from the Edinburgh Festival and their...
My Two Cents | Halley Metcalfe
Not yet having hit her mid-twenties and a member of generation Y, Halley Metcalfe says she always...
Don't You Know Who I Used To Be? | Julia Morris
Julia Morris's show Don't You Know Who I Used To Be is a spin off of her memoir of the same...
Her Greatest Hits | Fiona O'Loughlin
Fiona O’Loughlin says she has put all her greatest hits into one show purely because she’s lazy...
Everynight, Everynight reminds its audience that unlike their weekly feeding of dramatised crime...
The work itself is staggering. With all its visual and sound effects, body contortions and...
Wretch, in its themes and its dialogue, is crude and confronting to the end. Susie Dee and Angus...
This week the festival kicked off its eighth year with the presentation of Melbourne’s top twenty...