Sydney Reviews
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- Nicholas Routley
We were led to expect great things from Vivica, and we were not disappointed.
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- Nicholas Routley
It is so hard to convince an audience which knows this piece inside out that they are listening to it for the first time, but that is what Barenboim achieved for me.
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- Nicholas Routley
It is difficult to describe the performances in his cycle of Brahms symphonies. I was overwhelmed by the sheer presence of the music, the intense immediacy of the experience.
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- Marika Bryant
As we drive from the Byron Hinterland to Mullumbimby on Thursday evening, my muso-partner and I have that feeling of anticipation and expectation. We are trekking out for this, the eleventh Mullum Music Festival.
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- Richard Cotter
A sound mix mess spoils the party in a cacophony of screech and bellow and a crowded choreography of stomp and swing in Little Triangle's production of The Wild Party.
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- Richard Cotter
The third in the trilogy that began with Brighton Beach Memoirs and continued with Biloxi Blues, Broadway Bound is the conclusion story of Simon's pre-adulthood and of the seismic shift that simultaneously occurred between three generations of his family.
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- Richard Cotter
An impressive towering book book case, filled with well thumbed volumes, is the central feature of Emma Vine's remarkable set for National Theatre of Parramatta's world premier production of Jesus Wants Me for a Sunbeam.
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- Jack Teiwes
There are a lot of clichés you could toss at Evie May – A Tivoli Story, but this show rises above them to deliver an entertaining and moving show that embraces its inherent melodrama and theatricality, and is all the better for it.
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This rollicking musical take on Jane Austen’s beloved novel is a side-splitting crowd pleaser.
Heartbreak Hotel invites its audience into an intimate portrait of the universal and isolating experience of heartbreak.