Frilly, flimsy and flippant, focusing on frivolity, the serious business of office politics, gender pay equality, sexual harassment and glass ceilings becomes an elusive facet.
Naive theatre meets high tech in The Umbilical Brothers’ production, The Distraction.
At What Cost? is a complex piece of work, full of righteous anger, full of family love.
Wudjang: Not the Past is, among other things, a powerful wake-up call to non-indigenous Australians like me. After almost 250 years we shouldn’t need it, but we do.
Italian baroque with Circa is an inventive attempt to relate the unrelateable, by two Australian ensembles at the height of their powers.
The Wedding Singer is a joyous celebration of the 80s – of shoulder pads and hair-do’s that would block out the sun.