This extravagant, skillful, boisterous, raunchy production of Shakespeare’s A Midsummer Night’s Dream is exhilarating. It is an entirely unique and imaginative production. And it is hilarious. Don’t miss it.
Arabella is very much a story of fantasy versus reality and Opera Australia’s production of this lesser known Strauss masterpiece has done a good job at presenting these themes
embrace: GUILT FRAME sets out to explore these states, literally within an approximately 2x1 metre ‘gilt frame’. And wow, is it a roller-coaster journey
Director Maeliosa Stafford has done an excellent job with this production. The focus is on the characters, and the actors all turn in dynamic performances.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Blind faith and rational belief are always sparring partners in dramatic conflict and so it is here with the power play tinged with superstition and salaciousness.
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.