
Anthony Skuse has directed a tour-de-force with On The Shore Of The Wide World. There is never a lull, never a moment where you get bored or distracted.

The Piper is some of the loveliest children’s theatre I have ever seen. It’s clever and charming and never condescending. Even though I’m not exactly the target audience, I was captivated by it. An absolute Sydney Festival highlight.

Wittenberg is a silly play for smart people. While it might be a little confusing for those who don't have a passing acquaintance with Shakespeare, Marlowe and/or Luther, for those who do, it's freaking hysterical.

Am I is at its most interesting when it starts to ask, at what point do we change from atoms into humans. The work touches on this without exploring it fully.

There is something about circus which now, more than ever, captures the attention and imaginations of audiences.

Under the musical direction of Rex Goh and Vocal Director Lindsay Field, the 'Back2Back' concert drew together some of Australia's finest musicians and singers to take us on a journey back in time.

Pinchgut only perform one opera a year, but their production of Cavalli’s 17th century hit, Giasone, would make you think they played baroque opera constantly, so at ease was everyone with the style.