
There is no doubt at all Amanda Harrison is a musical theatre star in the best traditions of the genre. She is possessed of a wonderful voice, she has remarkable vocal length and expression and she can “sell” a song to perfection.

A tale of hopeless love triangles, unfulfilled dreams and existential musings, the Black Swan State Theatre’s adaptation of The Seagull was brought to life by a solid cast.

Craig Silvey’s 2009 novel Jasper Jones has been adapted for stage by Kate Mulvany and is being presented by Barking Gecko Theatre Company under the direction of Artistic Director John Sheedy.

Bell Shakespeare’s production of Henry V was put together by a very clever team of problem-solvers.

Is labeling Matthew Robinson a wunderkind an inaccurate title? Fame, recognition and awards seem relatively new to him but, as he says, he has been writing musicals for years. He is a suave stage presence and a brilliantly clever pianist.

WA Opera’s re-staging of Opera Australia’s 1986 production of Mozart’s The Magic Flute is simply a delight to experience.

A moving puppet adaptation of a classic book, changing the medium without losing its message.