Toby Milk’s heartfelt quiet rage is a journey of absurdity and episodic dysfunction; it is also infinitely believable, thanks to an enthusiastic ensemble performance.
Stephen Sewell’s new play, The Gates of Egypt is a clarion call to extend ourselves beyond our individual temporal concerns and act within a larger moral framework.
Renato Cuocolo and Roberta Bosetti of IRAA Theatre are challenging the conventions of theatre once again with their latest production The Nature of Things.
Double dose + double drama = double trouble. A multiplicity of ideas and concepts all trying to be achieved on the same night resulting in a muddled hump of mess.
Bubbling with bouncy banter including every ludicrous Aussie-vernacular-cliché under our collective sunburnt brow, The Glass Boat loosely themes itself on time-travel, Christmas and a mental institution.
El Caballo Blanco is a celebration of the Spanish horse. In a specially constructed pavilion the audience is treated to a delicious meal and given the opportunity of watching magnificent and highly trained horses strut their stuff with style, precision and plenty of personality
Fantastic Mr Fox follows the trials and tribulations of a sly simple fox who tries to feed his family despite the protestations of three greedy farmers who have too much poultry and far too much ego to share their good fortune with those less privileged.
Her Aching Heart first staged in the UK in 1990 is a romantic comedy tribute to the darkness and light of romantic fiction. It is dutifully, respectfully and hilariously revived for Midsumma 2007.
