This experimental and high energy excursion into early 21st century “popera” makes good theatre, but I can’t see it enjoying the longevity of its generic predecessors.
True Stories is held together by a potent sense of energy, emotion and spirit which is communicated in not only the stories being told but in the fiercely passionate performances of the ensemble group.
Monk O'Neill may encapsulate everything that the modern day feminist despises in the Aussie male, but whilst you are cringing at his lewd carry on, you also find yourself laughing with him
Dorothy Hewett's great play of love, life and longing, The Chapel Perilous, springs stirringly to life in this courageous yet light-hearted La Mama production.