Julius Caesar
Photo - Branco Gaica
Contemporary audiences are at once both made for and yet terribly ill-suited to opera. On the one hand, we live in the society of the spectacle, thriving on a diet of bigger-is-better media events. On the other, we also live in a permanent state of disinterested distraction, weaned on the faddish impermanence of a commodified mediascape.

For Samuel Beckett
A relatively recent addition to Melbourne’s theatre scene, The Eleventh Hour has quickly established itself as an independent company of note since winning a couple of Green Room awards last year.

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Bangalow Music Festival 2019

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