Impro-Lab: Transparencies

Improvisational dance performance is often more challenging for audiences than performers. Viewers need a great deal of patience, as they wait for the resonating moments when performers, sound, and visuals unite in mesmerizing synergies.

Grace
GoD BE IN MY MouTH’s Grace is essentially an extended domestic between three members of a long-estranged family conducted on a roof-top while three pigeon-headed people gambol about in the background.

The Season At Sarsaparilla
This new production of Patrick White’s ‘charade of suburbia’ The Season At Sarsaparilla, is all one could have hoped it could be: a triumph for director Benedict Andrews and for the STC’s Actors’ Company.

Most read reviews

Synthony and Brisbane Philharmonic Orchestra

I have seen classic, contemporary and experimental takes on orchestra, as I am sure many others have too – but I doubt many have seen something quite as grandiose and extravagant as the wild ride that Synthony takes you on.

Australian Realness | Malthouse Theatre

Australian Realness is a strange, illusory and disparate production with moments of brilliance and instances that baffle. It is surreal.

Rainbow’s End | Darlinghurst Theatre Company and Moogahlin Performing Arts

The pot of gold at the end of the rainbow has been a long time coming for the First Nations people of Australia.

Bangalow Music Festival 2019

The Bangalow Music Festival, jewel of the classical music calendar of the Northern Rivers of NSW, has just had its 18th incarnation.

Roald Dahl’s Revolting Rhymes & Dirty Beasts | shake and stir theatre co

Cleverly written and adapted from the Dahl poems, the show was slick and silly, funny and furiously paced throughout.

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