
The presentation is crisp and surreal and, while the images frequently recur, Genty does not visually overload the stage at any one time.


At times funny and sweet, at other times filled with terror and pain, Corin’s writing is elegantly poised where in the joy and random games are balanced by heart wrenching choice.

Sneakers = shoes – like Converses, right? Wrong. In 2021, thirteen years from now, Sneakers are forbidden, Sneakers are breaking the law, Sneakers are sneaky, sinister, sex-obsessed teenagers (...you would have thought more would have changed in thirteen years!).

Those Salem witch-spotters are up to no good again, in this return season of New Theatre’s production of the Arthur Miller classic.


The show is a combination of stand-up, story-telling, and performance poetry, and the energy levels that Kelman maintains throughout the show are impressive.