Ground Elastic Sound
The group uses electronic and recorded, as well as live music, and gives some importance to visual design and staging. This wide-ranging perspective certainly lends considerable interest to its performances, but the results are mixed.

Swan Lake
Swan Lake is a bold, dynamic and clever interpretation. Bourne throws in elements of jazz, modern dance, Latin (including an energetic paso doble set to Tchaikovsky’s Spanish Dance) as well as ballroom and folk.

The Spook
The Spook was inspired by the true story of a young man recruited by ASIO in the 1960s and asked to masquerade as a communist whilst spying on his local party branch. However, as Reeves assures us in her program notes, The Spook is a totally fictional and sometimes ludicrous version of the story. 

A Midsummer Nights Dream
Nothing quite adds a sense of reality to a “night in the woods” like a diegetic thrum of real cicadas. At one point a chorus of kookaburras struck up, as if perfectly on cue to provide a fanfare for Titania’s entrance!

Absence(s)
Absence(s) is a work that moves between worlds – physically, spatially and symbolically. We are taken, group by group, from the street outside the theatre to another space.

Under Milk Wood
Under Milk Wood was first performed by Dylan Thomas and three actors in America, and the four-person format is used again in this production.

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A sound mix mess spoils the party in a cacophony of screech and bellow and a crowded choreography of stomp and swing in Little Triangle's production of The Wild Party.

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