
Hutchinson has written an uproarious play, in which his actors can flex their skills on a wide range of levels.

There’s something a little David Lynch about being serenaded by Carpenters’ classics in the plush red Studio at the Opera House.

The frustrating thing about Night Breakfast, written by Merrilee Moss, is that it’s a fantastic idea for a stage play that is ultimately flawed in many of the key aspects of production.


Truly these are stories unlike any you’ll see for a long time, and a wonderful blend of nostalgia and ultra-modernity.
