


We’ve all been there. Trapped in a potentially destructive relationship that is going nowhere. We stay because we can’t be bothered leaving, convincing ourselves that the good out-weighs the bad. Welcome to Stockholm.

Despite how much most of the audience tried to be amused, it clearly wasn't happening as we sat through one tired, obvious reference after another.

Del Amo has constructed a performance that is fairly simple in production but highly textured and multi-faceted in content.

From the rigid, unforgiving box set, to the delicate simplicity of its marvellous performers, to Michael Gow’s unassuming dialogue, the play is replete with this marvellous juxtaposition of natural simplicity with deep pathos.
