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Wally is a fridge salesman. We think he is one thing, a loud wisecracking ex-pat American, but soon it becomes apparent that there is more to him - he is an erudite eccentric, given life by the ebullient performance of Bill Ten Eyck.
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Dwelling on the performance for days afterwards, I still feel a great ambiguity. The play lacks coherence.
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Eugene O'Neill's Long Day's Journey Into Night is regarded as one of the great masterpieces of American playwriting.
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Dead Man’s Cell Phone is vivid through its accuracy and humour, which is couched in the magic realism of Sarah Ruhl’s writing.
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There is something for everyone in this colourful and inspiring collection that doesn’t dodge the awkward moments or taboo issues.
