




The concert began with the prelude to Act III from Wagner’s Lohengrin, whose title role is the original knight in shining armour.

Jane Montgomery Griffiths’ one woman show ‘fills in the gaps’ of the elusive life of Sappho, with enthralling dramatic artistry, sharp wit, and academic considerations.

It’s true: Lynch is edgy, politically incorrect and crosses “way” over the line more often than not. He isn’t afraid to test how far he can go and how far his audience is willing to follow him.