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Attempting to rationalise the play in any literal sense is futile since it is the ambiguous, meandering nature of the 4 voices that allows it to become such a powerful work.
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On Sunday night there was only one place to be for all jazz fans. And that was at the National theatre with none other than the legendary Chris Botti!
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Of all Kafka’s works, The Trial makes the most pointed remarks about the concepts of freedom, both within the law itself and on the broader concept of self realisation and spirituality.
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This play manages to balance light and dark, theatricality and psychological verisimilitude in an extraordinary and touching way.
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Even in this pared down, concert-style version, it is still a darn good and highly engaging night of entertainment.