
Heavy and emotional or not, there is only so long an audience can wait between lines – and the more moments of silence there were, the less meaning was loaded in them.



One short evening with Emma Dean barely taps the surface of this gorgeous gothic pixie. I left the Tuxedo Cat feeling intrigued, delighted and with more than a bit of an artist crush.

If you have ever been to the reproduction Shakespeare’s Globe in London, you’ll know what magical, awe-inspiring structures Elizabethan theatres were.

If you were lucky enough to see Chris Botti live in concert in 2010 at the National theatre then 2011 at the Melbourne Jazz Festival was déjà vu in the best way possible.
