
Sleswick's vision for La Voix Humaine – three performers, one character, two languages, elaborate multimedia set, experimental score – could have gone wrong in so many ways. Yet, it truly glows.

With guests seated, Winter delivers a few brief words of instruction (in essence; 'don't let the food fly away') and – bar the occasional provocation via mysterious delivery – largely leaves her audience to their own devices.


Rings' previous work has been noted for a sense of defined femininity that exudes warmth and a deep connection to the land. Terrain, while certainly retaining those elements, refuses to comply with expectations.


