Latest Reviews
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The Sixteen is on of the great choral ensembles currently on the world stage. Founded in the late 70s, it is still directed by its founder, Harry Christophers, who has been decorated for his work with the ensemble over several decades. It was a great privilege to hear the ensemble in Brisbane last night.
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Perth was treated to an enchanting night of Baroque music by orchestra Les Arts Florissants, joined by six singers from across the world, hand-picked by renowned harpsichordist and founder of Les Arts Florissants, William Christie.
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After three decades of making music, Sinead O’Connor is still firing on all cylinders and seems to be reaching a new peak with her 10th album, creating some soul-feeding, full-bodied music that is a joy to experience.
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Dirty Dancing the movie was a small-budget feature that struck a chord with audiences, churned out a hit song, (I've Had) The Time of My Life, and made Patrick Swayze an international sex-symbol. As a film though, it was average.
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The name Caress/Ache offers a picture of what the show should be like – a delicate caress, a subtle ache. Sadly, this production does not live up to the play’s name: instead of a caress, this is a sledgehammer.
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The advantage of their jazz training was evident in their presentation. Each allowed the others to shine in solo segments in the songs.
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Despite having endured a dreadfully long flight from USA he was in a whimsical mood and offered some funny, flippant observations about cricketers staying at the same hotel as him.
