
Where else could you sit and listen to off-the-richter-scale jazz/funk/soul/reggae/bluegrass/hip-hop/electro-couplings of notable audacity, order an egg and bacon burger for $6 and be part of a beautiful vintage town for three full days and four nights? Beautiful Bellingen, that’s where!

Shakara Walley is yet another strong female theatre producer making her writing debut this year at The Blue Room, and Songbird sees Season One end on a high note.

Arguably one of Australia’s best female comedians, Judith Lucy, has done what many have tried and failed to do, she’s built herself a sustained career in the entertainment business and kept a following of loyal fans.

There is real drama and tension as the three main characters become locked in a psychological battle for what they want or need out of this situation, and there is an air of creepiness or menace as well.

Ballet Revolucion delivers the audience exactly what it promises: the revolution of ballet and the celebration of the passion for life that dance inspires.

Gudirr Gudirr by Dalisa Pigram and Marrugeku Theatre turns struggle into triumph. Pigram, the unique force who has created and co-choreographed Gudirr Gudirr, also performs in this hour-long dance theatre missive that addresses a multitude of Australia’s sins and sorrows.

In a return season of Theatre Beating’s, Magic Chicken, the audience follows the adventures (or should that be misadventures?) of Ethel, a golden egg laying chicken, after she stumbles across two bumbling chefs in a run-down cartoon kitchen & bistro whilst being hotly pursued by the Evil Eric.