Latest Reviews
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Employing a minimal cast and set, garnering maximum momentum from the first words uttered, SHIT is cutting-edge theatre – succinct, provocative, evocative, packing a punch from the moment the three actors set foot upon the stage.
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Introducing himself to lively hip hop music and vibrant coloured lighting Amos bounced onstage describing the Oz interpretation of Art Deco, Regal Theatre as “Lovely inside and very ugly outside.” So true!
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Returning to fortyfivedownstairs after a sold out season, Lightning Jar Theatre presents Mr. Burns: A Post-Electric Play.
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Barnum The Circus Musical has been expertly re-imagined from the classic 1980’s musical hit for a new audience.
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Practical politics and current events fuse in Joseph K, Tom Basden’s absurdist dystopian farce modelled on Franz Kafka’s The Trial.
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Unfortunately for all the other actors in the show, the titanic pillars of Newman and Weaving cast such long shadows, not only by the strength of their stellar performances, but by the sheer percentage of the script’s lines they monopolise between them.
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Maude Davey, Weave Movement Theatre, Pimpisa Tinpalit, Yumi Umiumare and Takashi Takiguchi team up and take you down the rabbit hole of this dance form.
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To me Leung is less a comedian and more of an incredibly talented writer. The way he weaves multiple references into his show and then refers back to them much further on in his monologue is brilliant.