
If by some remote chance you have never heard of Finucane & Smith, and you should get the opportunity to experience their performance, prepare yourself for a mega sensory shake-up.

Perhaps the change in Pinter’s worldview reflected the sunnier zeitgeist of the 1970s and his own maturity, but the characters and plot of Betrayal certainly owed something to his own life circumstances.

Jo Lloyd’s Confusion for Three is almost like watching toddlers make the funny movements they make for the sheer hell of it.

Although there are hints of some darker moments, on the whole Picnic is too twee and heart-warming for this old baggage. Having said all that, I really enjoyed it. Anyone would.

There are few people who haven’t indulged in the vicarious horrors and delights of listening to a good ghost story – it taps into something both childlike and primal within us – and that’s perhaps one of the reasons this play has captured the public’s imagination.

Nude lays the ground for Marilyn’s life by focusing on her rocky childhood, her poor relationship with her mother, and her dreams of becoming famous, through short vignettes where actress Carina Wayne portrays Monroe as well as herself, in a sort of parallel.

He told the audience about his memorable trip up and down the eastern coast back in 2008, which began in the very St Kilda, where he was now performing.