
She skips onto the stage, offers long rambling introductions to her songs as if chatting over coffee, mucks about doing ballet dance leaps, dedicates songs to her mum and forgets which key to play in. Missy Higgins is probably the antithesis of a diva superstar.

The 2014 translation by US playwright Annie Baker, with its use of current vocabulary and slang, gives the play a more contemporary feeling and greater relevance to twenty-first century audiences.

Mash together one of the freshest comedies to hit Aussie TV in a long time, SBS’s Black Comedy, with one of the dodgiest cult films ever made, Showgirls, then chuck in a bit of South Park cartoonesque inanity for good measure, and you’ll get a fair picture of Blaque Showgirls.

I like to believe that inside every stage hungry, larger than life, show pony, superstar is the nervous child who once sang in front of their bathroom mirror, hairbrush in hand and dreams still out of reach.

Divorce, a failed suicide attempt, three poker games, relentless vacuuming, clearing of sinuses and pseudo marital spats, spectacularly turn pain into funny, in Neil Simon’s comedy classic, The Odd Couple.

The Tallis Scholars vocal ensemble seems to have a direct line to heaven inspiring reverence for the power of the human vocal chords to echo spiritual realms.

For one night only, Manilla Street Productions has somehow managed to entice a host of musical theatre stars to create some of the magic of Maury Yeston's masterwork for a charity fundraiser.