LaPaglia is simply outstanding as a salesman bartering down his own price. Believable, present, committed – every indignity is expertly handled, never demonstrated but achingly and authentically realised.
Both too much and not enough, it never found its way and left me feeling unsatisfied.
It’s the ultimate variety show – a glittering, modern nod to the glamour and over-the-top glitz of yesteryear on the famous Las Vegas glitter strip.
Ascent is a triple bill of three diverse styles, each dance successful in its own way and all performed with the expected SDC technical panache.
Moulin Rouge! The Musical, like its cinematic counterpart, is a mind-blowing visual feast.
It’s hard to follow the exact story, but that doesn’t really matter, as Crystal is more about enjoying familiar circus acts recontextualized within a bevy of ice dancers and stunt skaters.
They say laughter is the best medicine, and I hope that counts for the kind of black humour from writer Alistair Baldwin’s debut production.