
‘High’ Tea provides a glance into the life of a gifted individual who shined too bright for her own good, and burned out before the world got to know how talented she truly was.

The whole show is a completely engaging marriage of graceful, gangly physical humour and moving honesty.

While the quality of the singing is inconsistent, it hardly matters in what soon becomes a bit of a farce; sometimes the choice of song in itself wins a laugh.

A remarkable performer himself, Griffiths not only has a fullsome voice and total mastery of the keyboard, but he plays with heart-rending passion.

From the first flush of teenage romance to the heartbreaking despair when it all goes pear shaped, music plays a crucial role.

For almost two hours, the audience at Hamer Hall were in the palm of the hand of Broadway's bare-footed Diva, Idina Menzel.

This kind of story telling, I think, rests on the performer's ability to convince that the story is real, and for me this wasn't coming through here.