What's On

Turandot
 

What is born at night and dies by dawn? What is hot as flame, yet gives no light? What is the ice that gives off fire?

Turandot never asked them to come, yet they came. She gave them every reason to turn back, even the threat of death. Shrouded in mystery, riddles were her last defence. What would happen if anyone ever cracked her armour?

International director and choreographer Ann Yee creates a spectacular new Turandot for Australia’s national Opera Conference. Featuring monumental sets, immersive visuals and mesmerising dance, this is unmissable theatre. Yee draws the threads of the story — Turandot’s courage, her ancestor’s trauma, and another woman’s sacrificial love — into a powerful tale of strength and resilience. Puccini’s atmospheric music takes you to another world, traversing the emotional extremes of his largest ever choral piece and the electrifying top notes of the iconic aria ‘Nessun dorma’.

Two of Australia’s most exciting dramatic sopranos take on the title role: Rebecca Nash, fresh from the Metropolitan Opera of New York, and Anna-Louise Cole, following her triumph in the Ring Cycle. Acclaimed tenor Young Woo Kim returns to Australia to share the role of Calaf with audience favourites Diego Torre and Rosario La Spina, under the batons of Henrik Nánási, Nicholas Milton, Andrea Battistoni and Tahu Matheson.

Turandot captivates audiences with its fable-like story, extraordinary music and grand spectacle. This dramatic new production promises to be a season highlight.

 

Event details

Venue: Sydney Opera House
Bookings: https://opera.org.au/productions/turandot-sydney/
Start Date: Thursday 15 January 2026

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • MJ the Musical
    MJ the Musical
    MJ the Musical takes you on an immersive experience, like a montage of Michael’s memories and influences leading up to his ‘Dangerous’ tour.
  • A Mirror | Belvoir
    A Mirror | Belvoir
    Steeped in meta-theatricality, A Mirror prompts us to reflect on the status of storytelling, of its place in creating a culture, its manipulation into myth, its power to prick and to prod.
  • Mary said what she said | 2026 Adelaide Festival
    Mary said what she said | 2026 Adelaide Festival
    Going from that show to Mary said what she said was like going from a Mozart piano concerto to one of the more repetitive pieces by Philip Glass.
  • West Gate | Melbourne Theatre Company
    West Gate | Melbourne Theatre Company
    At 11.50am on October 15 1970, 35 men fell to their death as their place of work gave way from under them.
  • Stage Kiss | New Theatre
    Stage Kiss | New Theatre
    There’s a palpable playfulness to these performances, disciplined, drilled and delightful. There’s fire, bite and fun and lots of kissing.