Anthem | Melbourne International Arts FestivalPhoto – Pia Johnson

Advance Australia Fair. Or is it? The Australian anthem, as it stands in 2019 is both a source of national pride and shame. A controversial ode to the nation, where life is quite often not fair, Anthem is the reunion of playwrights Andrew Bovell, Patricia Cornelius, Melissa Reeves, Christos Tsiolkas and Irine Vela. After a 21 year hiatus and the highly acclaimed Who’s Afraid of the Working Class?, the team has produced a remarkable follow up. Where, Who’s Afraid of the Working Class looked at life on a larger scale, Anthem is a detailed investigation into mundane moments, which, as it turns out aren’t mundane at all.

In a brutally honest depiction of Melbournian life, several relationships interweave throughout the five storylines that propel the narrative. Set on a local train, these relationships take place in the public domain, a place normally reserved for hushed conversations or more likely, headphones in and staring at a screen. From the morning commute in the packed carriage, the audience easily slips into the familiar world of professional life and daily struggles.

We meet Lisa (Eryn Jean Norvill) and Lachie (Sahil Saluja) a disgruntled Chemist Warehouse employee and former 7/11 employee and victim of wage theft respectively. Theirs is a Bonnie and Clyde-esque love story, taking on big business, with desperation and not a lot of planning. Norvill is incredibly likeable as the ditzy Lisa, fed up with being the underdog and ready to take matters into her own hands. It’s a role played with glee as the hapless Lachie comes along for the ride he unwittingly started.

Tensions rise and buttons are pushed as different characters get on and off the trains. Australia’s class conflicts come into full view as a family of mixed race siblings’ board and all the pretend niceties of polite society are thrown out the window. A young mother faces economic and emotional exhaustion, a public transport officer makes a choice and a cleaner and her former boss come to a crossroads.

Racism runs strongly through the carriage, European, Asian, and Aboriginal commuters mingle, bash heads and refuse to come to any sort of compromise or conclusion. Anthem is an intricate look at everyday life, at the extraordinary within the ordinary. The talented collaboration of writers doesn’t allow the audience to lull into comfort for a moment. There is constant tension, fear and thankfully humour.

Backed by Irine Vela’s score, and sung through by the goose bump inducing Ruci Kaisila, who has one of the most outstanding voices in Australia, the music ties the puzzle pieces of the story together, my only criticism is there could have been a greater use of the onstage musicians, as the live music was a wonderful atmospheric addition to the production.

There’s a great deal happening in Anthem, a cross section of humanity meets and the differing opinions and cultures make for great people watching. A final rousing song from Kaisila and an in-your-face statement to the national flag brings a mixed response of what it is to Australian. Anthem tells the story of a divided nation, without identity, a nation full of rage and uncertainty, of outdated class systems and ingrained racism. There is no great happy ending in Anthem, but it’s something much more important, because it’s the truth. What is it to be Australian? Anthem may not have the answer, but at least it makes you ask the question.

2019 Melbourne International Arts Festival presents
by Andrew Bovell, Patricia Cornelius, Melissa Reeves, Christos Tsiolkas and Irine Vela

Director Susie Dee

Venue: Playhouse | Arts Centre Melbourne
Dates: 1 – 6 October 2019
Tickets: from $59



Related Articles

Astonishing Obscurity | David Quirk Astonishing Obscurity | David Quirk
Quirk hisses at his audience mid show, “I’m like a snake… I am more afraid of you,” eyeballing us like a python. It is in these looks to the audience, and ability to generate tension and...
Victorious Lion | Dilruk Jayasinha Victorious Lion | Dilruk Jayasinha
To a comedian, anything personal is also potential material and Jayasinha mines a lot of his private life in a very engaging and tight show. Dilruk Jayasinha is chuffed to be performing in the...

Most read Melbourne reviews

Master of the deadpan, harsh host of Hard Quiz, and heartless interrogator on Hard Chat, making...

Despite its seemingly bleak subject matter, Come From Away is joyous, hilarious, hopeful,...

It doesn’t matter how much you know or care about the legality of the Essendon Football Club...

Swapping 16th Century Verona for 1930s Hollywood, and a lengthy title for the short and snappy...

This play is that guest at your dinner party who, with one potent observation, generates such...