Harry Potter and the Cursed Child

Harry Potter and the Cursed ChildLeft – Gareth-Reeves. Cover – The Cast. Photos – Matt Murphy

Arguably one of the most popular and fiercely loved franchises of all time, JK Rowling’s creation of the wizarding world of Hogwarts and beloved characters of Harry, Ron and Hermione continue to delight children and adults with books, films, studio tours and a real life Platform 9 ¾ at London’s Kings Cross.

 If I’ve lost you at Platform 9 ¾, then perhaps Rowling’s latest piece in the Harry Potter universe, Harry Potter and the Cursed Child is not for you. Set 19 years after the final battle of the series (Harry Potter and the Deathly Hallows), a prior knowledge of the Potter-verse is essential to fully embrace the many throwbacks, winks and in jokes scattered throughout the play.

 However, Harry Potter and the Cursed Child is a stand alone piece, based on a story by Rowling, Jack Thorne and John Tiffany and written by Jack Thorne, the trio of wand wielding, world-saving witches and wizards are all grown up with children of their own. Harry (Gareth Reeves) is an overworked minister, still burdened by his notoriety, his famous name making life difficult for his now teenage children, in particular Albus (Sean Rees-Wemyss), who’s fear of not living up to expectations becomes a self-fulfilling prophecy. Befriending perhaps the most unlikely of students, Albus becomes firm friends with Scorpius Malfoy (William McKenna), the son of Draco Malfoy (Harry’s nemesis at Hogwarts). And so begins a star-crossed friendship played beautifully by Rees-Wemyss and McKenna. Plot-wise, that’s about all I’m at liberty to say, as audiences are sworn to secrecy and spoilers are very much frowned upon.

 What I can say is that the stagecraft is beyond astounding. Somehow John Tiffany (who directed the original production) and Jamie Harrison, in charge of Illusions and Magic, have managed to create a world on stage that rivals those seen on screen. Along with Steven Hogget’s choreography, Harry Potter and the Cursed Child is a delightful spectacle. There are brilliant performances throughout the production with McKenna and Gillian Cosgriff as standouts.

 Gyton Grantley is excellent as comedic relief throughout the more tense moments of the play and Paula Arundell is perfect as the smart, sassy Hermione.

 Presented in two parts and over 5 hours, Harry Potter and the Cursed Child is somewhat of a marathon experience for audiences, but for those die-hard Potter fans, more is simply never enough. Melbourne is lucky enough to be one of the few cities to host this record-breaking play, and the fully decked out Princess Theatre enriches the experience.

 Harry Potter and the Cursed Child is a beautifully executed, and visually stunning production that captures the essence of Rowling’s fantastical world, charming old fans and most-likely gaining some new “Potterheads” in the process.

 

Sonia Friedman, Colin Callender, Harry Potter Theatrical Productions and Michael Cassel present
Harry Potter and the Cursed Child: Parts One and Two
written by Jack Thorne | based on a story by Rowling, Jack Thorne and John Tiffany

Director John Tiffany

Venue: Princess Theatre | Spring Street, Melbourne VIC
Dates: from 16th January 2019
Bookings: www.harrypottertheplay.com/au

 

 

Related Articles

Work It – New Manifestos | Candy Bowers and guests Work It – New Manifestos | Candy Bowers and guests
Manifesto, noun. A public declaration of policy and aims. Photo – Hana Schlesinger Manifesto, noun. A public declaration of policy and aims. Within the intimate space of the Arts House in North...
A Room of One's Own | Sentient Theatre A Room of One's Own | Sentient Theatre
Imagine Shakespeare had a sister who possessed in equal measure his wit and intellect. She too wanted to be a playwright in Elizabethan London. Unlike her brother however, there was to be no great...

Most read Melbourne reviews

Storm Boy | Melbourne Theatre Company

Presenting iconic work is of course duplicitous. On one hand there is the hefty marketing...


Solaris Tonight | Malthouse Theatre

A planet that has believed itself to be alone within the vastness of the universe at long last...


Wake in Fright | Malthouse Theatre

Wake in Fright is an extraordinary, at times unexpected and very confronting hour of theatre. It...


Krapp’s Last Tape | Max Gillies

A review, of a man's review of himself.


Much Ado About Nothing | Bell Shakespeare

Bell Shakespeare's Much Ado About Nothing is a fast-paced and fun-filled production that makes...


Sign up for our newsletter

* indicates required