Launch of unique archive of scenic designs

Launch of unique archive of scenic designsLeft & cover – From The Desert Song (1928), His Majesty’s Theatre, Melbourne

Ten scene books providing a unique visual record of Australia’s early theatre history, have been digitised and made available online for all to download, study and enjoy.

Dominating the performing arts in the nineteenth and twentieth centuries, the firm founded by James Cassius Williamson (1845–1913) controlled a chain of theatres throughout Australia and New Zealand, and owned a number of radio stations and film studios. For a time JC Williamson Ltd was the largest production company in the world, producing plays, operas and other entertainments, and continued to be the major production company in Australia until the mid 1970s.

The ten newly digitised scene books provide a rare account of over 440 theatrical productions staged in Australia between the 1890s and 1930s. Originally compiled by the scenic artists, the scene books include thousands of photographs of sets, backdrops, props, lighting rigs, plans and elevations, documenting everything required for the stage presentations. Many of the images are of original designs by renowned Australian scenic artists, while others are photographs or sketches from the overseas companies which first presented the works.

The earliest photographs in the collection date from the 1897 production of A Royal Divorce, while one volume appears to be a sketchbook of designs from the 1869 New Theatre Royal Bristol production of Dion Boucicault’s After Dark. The books also include photos from other significant productions such as The Chocolate Soldier, Sweet Nell of Old Drury, The Silver King, Rose Marie, The Desert Song, along with the Gilbert & Sullivan comic operas, the original London set designs for The Importance of Being Earnest, and other plays produced at the St James’s Theatre during the 1890s.

Australia is indebted to Ross Turner and Paul Kathner, co-founders of Scenic Studios, who have preserved these valuable and unique records of Australia’s early theatre history. Believing the collection should be made available for public use, Theatre Heritage Australia obtained a grant from the Public Records Office of Victoria to have the scene books digitised. The full collection is now available online and will be of particular interest to theatre researchers, scenic artists and designers, teachers and students and all those interested in Australian theatre history.

The online collection will be launched by theatre historian Frank Van Straten AM, Paul Kathner and Ross Turner at The Channel, Arts Centre Melbourne, on Saturday 26th May at 3pm. All are welcome. Entry is free, however bookings are required.

View the scene books online now at www.theatreheritage.org.au

Theatre Heritage Australia in association with Arts Centre Melbourne presents
Digitising JC Williamson Ltd Scene Books c1890s–1930s

Launch event: 3pm, Saturday 26 May 2018
Venue: The Channel, Arts Centre Melbourne
Entry: FREE! but bookings are essential
Bookings: www.artscentremelbourne.com.au 

 

 

Most read reviews

Terrestrial | State Theatre Company South Australia

Terrestrial’s author (Fleur Kilpatrick) says in the programme notes that she dedicated her play to lonely girls, bored boys, to quiet towns and “to a landscape that looks like Mars”. She adds ”landscape informs how our trauma, confusion, illness or fear manifests itself”. It does in this play.

Hungry Ghosts | Melbourne Theatre Company

Described as a post traumatic play, Hungary Ghosts is both complex and challenging. While conscious in its use of multiple characters and threads, commentary on national themes does give echo to a central, more personal narrative around culture, loss, belonging, patriotism and identity.

Almost Face To Face | Stephen House

It's difficult to determine who the real star is in this piece; the exquisite writing, or the equally perfect performance. That both are the work of the same person... truly impressive stuff.

Les Misérables | The South Coast Choral and Arts Society

This is an emotional play with not too many dry eyes at times, but if a play and its performers can move you, make you laugh, make you cry, make you think, then a good job has been done.

Good Cook. Friendly. Clean. | Griffin Theatre Company

It might go down a treat as a Nanny's business card, but it seems to have little currency for Tara Marice's character, Sandra in Brooke Robinson's Good Cook. Friendly. Clean.

Most read news

Horses to courses: Police stables receive $18M transformation

The former Victoria Police Mounted Branch stables have been transformed into world-class teaching and learning facilities for students of the University of Melbourne’s Faculty of Fine Arts and Music following an $18 million make-over.

Launch of unique archive of scenic designs

Ten scene books providing a unique visual record of Australia’s early theatre history, have been digitised and made available online for all to download, study and enjoy.

Sign up for our newsletter

* indicates required