Imagine the world’s greatest dress-up box opening to the public … The Australian Ballet and the National Gallery of Victoria (NGV) are joining forces in 2012 to present Ballet & Fashion, an extraordinary exhibition that explores the relationship between these two powerful art forms.
The free exhibition will feature ballet costumes by some of the world’s top designers, including Giles Deacon (Swan Lake for English National Ballet 2010), Christian Lacroix (Gâité Parisienne for American Ballet Theatre 1988), Akira Isogawa (Romeo & Juliet for The Australian Ballet 2011) and Collette Dinnigan and Easton Pearson (Tutu for The Australian Ballet 2002).
Ballet & Fashion will run from November 3 2012 until May 2013 at the NGV. The exhibition forms an integral part of The Australian Ballet’s 50th anniversary celebrations – the company’s official birthday is on November 2.
With a special 50th anniversary international gala opening at the Arts Centre Melbourne on October 31, a week of glamorous gatherings will mark this milestone birthday. Australian Ballet Artistic Director, David McAllister, said the exhibition was the icing on the cake. “The birthday week is going to be absolutely huge,” says McAllister. “From international guest stars at the gala to couture ballet costumes that have never been seen in Australia, it’s a non-stop week of celebrations.”
“There has never been an exhibition bringing together a collection like this before so we’re incredibly excited. Ballet costumes are actually like works of art – the design, craftsmanship and attention to detail all adds to the characterisation and the story the dancers are telling onstage.”
Ballet & Fashion will showcase some of the most successful and groundbreaking collaborations of the past three decades. The concept was developed in consultation with Edwina McCann, editor of Harper’s BAZAAR. Together, the three organisations have created a shortlist of works created by renowned fashion designers from all over the world.
The close collaboration between ballet and modern fashion dates back to the 1920s when Ballets Russes impresario Serge Diaghilev commissioned Coco Chanel to create the costumes for Le Train Bleu. The influence of ballet can be seen in both high fashion and street fashion throughout the 20th century – the far-reaching influence of Ballets Russes costume designs; the echo of Romantic tutus in Dior’s new look and the enduring popularity of the ballet flat.
Ballet & Fashion National Gallery of Victoria | 180 St Kilda Road, Melbourne Opening November 3 2012 until May 2013.