Sydney Reviews
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- Jack Teiwes
For a first play this is not short on ambition, tackling not only racism from an underrepresented angle, but also classism, misogyny, cultural specificity in a globalised marketplace, corporate culture, and the currency of outrage in the social media age.
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- Jack Teiwes
Baby Doll is an effective, if imperfect, re-adaptation of Tennessee Williams’ lesser-renowned material, via an intermediate film version.
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- Marika Bryant
Every performer is a star of their own making (tremendous effort by everyone) with classic facial expressions, voices lifted to give it their all, engaging the audience and drawing us in to their world.
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- Richard Cotter
There’s much ado about many things in Bell Shakespeare's current season of Much Ado About Nothing.
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- Jack Teiwes
A spectacular show in a suitably epic venue, all the stops have been pulled out for the Sydney recreation of the Royal Edinburgh Military Tattoo.
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- Jack Teiwes
The most ambitious one-hander you’re likely to see with one actor portraying over thirty characters, director Kate Champion has given this crowd-pleasing play something of a timely facelift.
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- Jack Teiwes
Given what an immense and perpetual global franchise Cirque du Soleil has become, it must be quite a challenge to keep coming up with new themes while still attempting to conform to a vague unifying style that maintains the brand.
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- Richard Cotter
Nine months gestation and a baby girl is delivered. For four years, she is the light and love of her parents, and then she goes missing. For nine months.
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