Baby Doll | Ensemble Theatre

 

Baby Doll is an effective, if imperfect, re-adaptation of Tennessee Williams’ lesser-renowned material, via an intermediate film version.

Calamity Jane | Bangalow Theatre Company

Every performer is a star of their own making (tremendous effort by everyone) with classic facial expressions, voices lifted to give it their all, engaging the audience and drawing us in to their world.

Much Ado About Nothing | Bell Shakespeare

There’s much ado about many things in Bell Shakespeare's current season of Much Ado About Nothing.

The Royal Edinburgh Military Tattoo Sydney 2019

A spectacular show in a suitably epic venue, all the stops have been pulled out for the Sydney recreation of the Royal Edinburgh Military Tattoo.

Fully Committed | Ensemble Theatre

The most ambitious one-hander you’re likely to see with one actor portraying over thirty characters, director Kate Champion has given this crowd-pleasing play something of a timely facelift.

Kurios | Cirque du Soleil

Given what an immense and perpetual global franchise Cirque du Soleil has become, it must be quite a challenge to keep coming up with new themes while still attempting to conform to a vague unifying style that maintains the brand.

Splinter | Griffin Theatre Company

Nine months gestation and a baby girl is delivered. For four years, she is the light and love of her parents, and then she goes missing. For nine months.

The Last Wife | Ensemble Theatre

The Last Wife is one of the best shows I have seen this year, creating an outstanding work of theatre from one of the most compelling family dramas of western history.

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