Beautifully performed, and indisputably watchable – but one that reveals little of Callas beyond the self-absorbed diva breaking others to palliate the pain of a ruined voice and doomed affairs of the heart.
In The Heights consistently hits the highs in an exhilarating musical with surprising emotional depth.
At school they might just be girls, but here they are a squad, a pack. Here they are the Wolves.
The Book of Mormon is beyond exceptional. It is worth every star, every word of praise and every award that it has won.
Shakespeare not stirred. This is the cockeyed cocktail served by Bell Shakespeare’s production of Antony & Cleopatra.
Not so much a kitchen sink drama as perhaps a "backyard verandah drama", The Shifting Heart is a 1957 play dealing with the trials and tribulations of immigrant Australians.
Comedians walk the tight-rope more than most performers: this is an exercise in communication and observation; relegation and distribution; delivery and response. So many contingencies to take into account – demographics, geography, socio-economic groupings and ‘what’s happening now’.
A seventeen strong ensemble struts their formidable stuff in the small space of the The Depot Theatre, filling it with the joy and verve and sweet melancholy of Stephen Sondheim's music and lyrics and George Furth's book.
Mind change trumps tree change in Daniela Giorgi’s Seed Bomb, a subtle, combustible comedy.
Captain Marvel is rocketing up the multiplex box-office at the moment, but, for my money,...
