The action is driven by the madcap meddling of “The Maniac”, a role the incomparably oddball Amber McMahon seems born to play. Imagine a kind of brilliant trickster character who is a manic cross between the Joker, Sherlock Holmes and Bugs Bunny.
Sydney Reviews
Juxtaposing stories both scriptural and personal, this is a unique and idiosyncratic history of Jewish women, by Jewish women.
Thunder and lightning, blood and piss, laughs and screams, and the flash and clash of steel, this was an altogether new feast for the senses in its boldly theatrical use of this wonderful performance space.
Highly energetic, frenetically so at times, and with the slapstick factor dialled up to eleven, The Comedy of Errors is possibly the most perfect play to showcase this extraordinary performance venue.
For the uninitiated, Jersey Boys will hopefully come as something of a revelation. For those already in the know, this returning production is everything you could hope for and more – an absolute corker of a musical.
For those wishing to see an interesting intercultural take on Shakespeare’s classic, you could not possibly ask for a more engrossing venue to enjoy a collective theatrical experience than the Pop-up Globe.
Horror combines intense soundscapes, unsettling video projections, prodigiously precise performance, ingenious lighting techniques, meticulous trick sets and props, all working together to create some very impressive illusions.
Lewis and Fleming have hit upon something special in diffusing the inadvertently misogynistic potential of a more plodding approach to modernisation, they have created something that feels both timely and timeless, of the moment yet cut very much from the classic’s cloth.
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