Sydney Reviews
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- Marika Bryant
As we drive from the Byron Hinterland to Mullumbimby on Thursday evening, my muso-partner and I have that feeling of anticipation and expectation. We are trekking out for this, the eleventh Mullum Music Festival.
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- Richard Cotter
A sound mix mess spoils the party in a cacophony of screech and bellow and a crowded choreography of stomp and swing in Little Triangle's production of The Wild Party.
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- Richard Cotter
The third in the trilogy that began with Brighton Beach Memoirs and continued with Biloxi Blues, Broadway Bound is the conclusion story of Simon's pre-adulthood and of the seismic shift that simultaneously occurred between three generations of his family.
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- Richard Cotter
An impressive towering book book case, filled with well thumbed volumes, is the central feature of Emma Vine's remarkable set for National Theatre of Parramatta's world premier production of Jesus Wants Me for a Sunbeam.
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- Jack Teiwes
There are a lot of clichés you could toss at Evie May – A Tivoli Story, but this show rises above them to deliver an entertaining and moving show that embraces its inherent melodrama and theatricality, and is all the better for it.
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- Richard Cotter
Another feather in the cap for playwright, Nick Coyle, The Feather In The Web flaps, floats and flies around the turbulent and treacherous cross currents of obsession and unrequited love.
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- Marika Bryant
How many of life’s hiccups are triggered by a series of events, out of our control, on their own trajectory to wherever they may land? One only has to watch the news – politics and mayhem – to see what can (and does) occur without any rhyme or reason.
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- Richard Cotter
Over the past decade, the Sydney based theatre company, subtlenuance, has been an indispensable and vibrant part of the independent theatre landscape, dedicated solely to the creation of new work.
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