Damian Power had more than a few good comedic moments, however his super relaxed manner often came across as under rehearsed, even ill-prepared. It really surprises me to see an experienced comedian refer to notes.
Read more ...
Last year’s show was so hysterically funny and in a more intimate venue the following show had a lot to live up to.
Sarah Ruhl recreates a peculiar period in the early history of psychotherapy.
Elegantly clad in a black full length, cut-away shouldered number Cathrine Summers was accompanied by the excellent Alastair Peel on keyboards and the clever pianist Ben Matthews.
Omigod you guys – if this isn’t the best feel good musical of the year, I don’t know what is!
Sensational hardly begins to describe this talented trio who combine the smoothest of melded voices, killer solos and extraordinarily clever arrangements.
Despite the rather fearsome photo accompanying the media release, Ratzke presented an elegant figure onstage.
This is ensemble work of the highest order.
Not an entirely new concept but one so stylishly written and performed deserves praise and...
Jeff Green, dapper in black, opened the show in his usual chatty, rapid style, launching into...