A quick poll of her Saturday audience revealed that few knew of her before the night (it might actually have been ‘no-one’), but I reckon that won’t be the case next year – or even by the end of the festival.

Yumi Umiumare and the BUTOHOUT! Ensemble elegenatly place, embrace, displace and reinstate their audience in and out of layered worlds from the box office till the bow.

Every one of the eleven short plays were excellent. Their very different topics and interpretations made for a sizzling night of theatre.

To this critic, as to many Short+Sweet patrons, this programme of two peformances of 12 plays over the weekend of the 20 and 21 March was the most keenly anticipated of the programme. 

Real estate is just dirt, when you boil it right down, and Mamet’s pedlars of property sure are dirty.

Swapping 16th Century Verona for 1930s Hollywood, and a lengthy title for the short and snappy “Two Gents”, the text takes on new meaning in the slick, glamorous world of studio system stars and overbearing producers.

Nicci Wilks delivers both physically and vocally filling the large fortyfivedownstairs warehouse space with ease in this one woman show.

This play is that guest at your dinner party who, with one potent observation, generates such discomfort that all assembled clamber for composure after the resonating truth has been spoken.

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