Cyril Gély’s script is an engrossing choice of material for such fine actors to showcase their prowess, making for delicious gravy on top of an already delectable feast.
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Presenting iconic work is of course duplicitous. On one hand there is the hefty marketing potential of drawing upon a known commodity and on the other, an enormous capacity to disappoint. MTC have succeeded on both fronts.
Wunderage unfolds around, above and beside you, there are no lines of separation. It is a journey taken together. One that will leave you exhilarated, if not a little breathless.
Rachelle Durkin’s passionate, vibrant interpretation of the title role was compelling.
This is without question another ‘born to play’ role for one of this country’s finest performers and genuinely leaves previously versions trailing somewhere far behind.
Cabaret in Melbourne is thriving and each year, the genre receives a very healthy boost with a dedicated festival.
The play zigzags between moments of real pathos, laughter, the farther reaches of psychological motivation and plain old-fashioned gross-out slapstick.
Pinchgut Opera is a national treasure. This wonderful opera is hardly known in Australia, and to have it so completely brought to life is a gift of enormous proportions.
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Farnace, Vivaldi’s personal favourite among his operas, and one of the most popular in his own time, was given its Australian premiere last night by the wonderful outfit that is Pinchgut Opera.
Noël! Noël! | Australian Brandenburg Orchestra
This annual Christmas program of the Brandenburg Orchestra has become a popular event in Sydney and Melbourne. It offers a refined musical experience of the centuries-long traditions of Western art music that celebrate the birth of Jesus.
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Griffin Theatre Company Appoints New Artistic Director
Griffin Theatre Company has announced playwright, director and dramaturg Declan Greene as the next Artistic Director of the Company.