Melbourne Reviews
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- Doug Knight
Cabaret in Melbourne is thriving and each year, the genre receives a very healthy boost with a dedicated festival.
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- Doug Knight
Heralded for her sharply observed social commentary and imaginative theatrical experimentation, Caryl Churchill has been prolific since her first work for stage premiered at London’s Royal Court Theatre Upstairs in 1972.
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- Daniela Kaleva
The dominance of Michieletto’s visual approach is bold and naughty. It turns opera on its head. It does so as a bandaid for lack of spectacular voices, vocal virtuosity, understanding of Italian and acting skills.
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- Hayden Burke
All of things, All of the time, All at once... too much and yet a true reflection of the internet.
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- Hayden Burke
Important topics, live issues, interactive discussion and video games? Yes please.
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- Heather Bloom
Heisenberg is about uncertainty, of taking the plunge into the unknown with a stranger, a lover, a friend and to start really living.
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- Heather Bloom
Cloudstreet is a big budget piece with lots going for it, in fact there’s simply too much story to squeeze into the two-part production which can either be consumed over one day or two.
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- Heather Bloom
Returning to fortyfivedownstairs after a sold out season, Lightning Jar Theatre presents Mr. Burns: A Post-Electric Play.