Melbourne Reviews

Heather Bloom stars in her one-woman-show Anti-Heroine, where casting has begun for an undisclosed live action fairy-tale remake, and there is fierce competition for the role of the villain.

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In 1980, a young Cameron Mackintosh created a revue of Lehrer’s work and Tomfoolery has enjoyed more than 200 productions since.

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Summoning tension, gasps and applause this perilous playground rocks with elegant harmonious symmetry alongside a toybox of other acrobatic devices only the brave and trained would dare to mess with.

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It starts in a sleazy hotel room. An older man enters with a much younger woman. From the moment they walk in, it’s uncomfortable.

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Intimate, heart breaking and warm, this journey toward the end of a relationship simultaneously grants a glimpse backwards into the shaping of a life lived together.

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Melbourne Theatre Company is doing what we absolutely expect – great plays in solid hands showcasing the finest we have on theatrical offer.

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While Melancholia is perhaps one of Von Trier's gentler works, its story of a woman grappling with psychological malaise in the face of literal apocalypse drew polarised reactions as a film, and is likely to do so in play form also.

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If you were waiting for a verdict before buying a ticket, don’t – this run is short, and Todd McKenney is seriously good.

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