Cabaret in Melbourne is thriving and each year, the genre receives a very healthy boost with a dedicated festival.
Melbourne Reviews
Heralded for her sharply observed social commentary and imaginative theatrical experimentation, Caryl Churchill has been prolific since her first work for stage premiered at London’s Royal Court Theatre Upstairs in 1972.
The dominance of Michieletto’s visual approach is bold and naughty. It turns opera on its head. It does so as a bandaid for lack of spectacular voices, vocal virtuosity, understanding of Italian and acting skills.
All of things, All of the time, All at once... too much and yet a true reflection of the internet.
Important topics, live issues, interactive discussion and video games? Yes please.
Heisenberg is about uncertainty, of taking the plunge into the unknown with a stranger, a lover, a friend and to start really living.
Cloudstreet is a big budget piece with lots going for it, in fact there’s simply too much story to squeeze into the two-part production which can either be consumed over one day or two.
Returning to fortyfivedownstairs after a sold out season, Lightning Jar Theatre presents Mr. Burns: A Post-Electric Play.
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Imagine Shakespeare had a sister who possessed in equal measure his wit and intellect. She too...
Emina Ashman transports us into a place of limbo, a potienally eternal pitstop to paradise.
Manifesto, noun. A public declaration of policy and aims.
Now playing Melbourne
| Sensory Decadence |
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| 'NIGHT, MOTHER by Marsha Norman |
| Stoppard's Travesties for Bloomsday in Melbourne |