Nicky Bomba's musical influences are wide and varied having worked with bands from Africa to the Middle East, conducted the Melbourne Ska Orchestra, played drums on John Butler Trio’s “Sunrise over Sea” and was Artistic Producer for the Multicultural Arts Victoria “Visible” project.

He talks to Australian Stage’s Brad Syke.

Angus Grant plays the character of Melchior in Spring Awakening, written by Frank Wedekind and directed by Simon Stone, opening at Belvoir Downstairs this week.

In the lead up to Opening Night he spoke to Australian Stage's Sonia Allan.

The Studio at the Sydney Opera House has developed its reputation as a kaleidoscopic venue that hosts international and local artists, embraces a smorgasbord of diverse, provocative, innovative and acclaimed entertainment, all under the all-seeing eye of Executive Producer, Virginia Hyam.

Ana Marina plays opposite Anthony Warlow in Andrew Lloyd Webber's Phantom of the Opera opening in Sydney this week.

Ana Marina spoke to Australian Stage's Alexandra Coghlan about her favourite role.

The Company B production of Martin McDonagh's highly acclaimed, The Pillowman opens next month.

Director Craig Ilott spoke to Australian Stage's Brett Casben.

Toby Schmitz is an actor, writer and director, currently playing the title role in the B Sharp production of Ruben Guthrie by Brendan Cowell.

Toby spoke to Australian Stage's Augusta Supple.

Wayne Blair is the recently appointed Artistic Associate of Belvoir St Theatre - what that means, he says, he’s not exactly sure - but he’s got an office.

Israeli-born Yasmin Levy is one of the most celebrated stars in world music today. She is currently touring Australia for the first time and took time out to speak with Australian Stage's Brad Syke.

Most read reviews

Gaslight | State Theatre Company South Australia

Gaslight is an entertaining, non-convoluted, engaging and superbly written piece, so that it stands up well after 80 years, especially when its traditional strength is imaginatively blended with some non- traditional contemporary casting.

TakeOver | Bangalow Theatre Company

The audience for any one night is divided into five groups of twelve people, each of which walks between the venues, so that there is only a Covid-safe number of people in any venue at any one time.

QPAC Unlocked: An Evening with Amy Lehpamer

The night progressed, Amy showcasing her many talents, singing and playing the violin, and then indulging us, inviting her partner to perform alongside for a few songs on the acoustic guitar.

Ash Grunwald | NORPA

Intimate and interactive, Ash Grunwald showed us a small part of what he is made of, musically. Ash has written a book ‘Surf by Day, Jam by Night’ and has also, with his wife, created Earth Bottles, dealing with problems of single-use plastics, encompassing drink bottles, coffee cups and straws. So much talent wrapped up with so many guitars.

Most read news

New grant initiative for disadvantaged and POC artists

Be You Inc. have recently launched a new grant initiative to provide financial assistance for disadvantaged and POC artists auditioning for tertiary performing arts programs this year.

Vale Aidan Fennessy

Melbourne Theatre Company today paid tribute to writer and director, Aidan Fennessy, who passed away on Sunday.

Chunky Move announces $80,000 Choreographer in Residence initiative

Chunky Move in partnership with the Tanja Liedtke Foundation have opened applications for their new Choreographer In Residence initiative. 

Applications open for the 2021 Frank Van Straten Fellowship

Applications are now open for the Frank Van Straten Fellowship program, commencing in March 2021, subject to COVID-19 restrictions.