Ana Marina plays opposite Anthony Warlow in Andrew Lloyd Webber's Phantom of the Opera opening in Sydney this week.

Ana Marina spoke to Australian Stage's Alexandra Coghlan about her favourite role.

Oscar and Grammy award winning Composer and Lyricist, Stephen Schwartz spoke to Australian Stage during his recent visit to Oz to launch his mega-musical "Wicked"

The Company B production of Martin McDonagh's highly acclaimed, The Pillowman opens next month.

Director Craig Ilott spoke to Australian Stage's Brett Casben.

Toby Schmitz is an actor, writer and director, currently playing the title role in the B Sharp production of Ruben Guthrie by Brendan Cowell.

Toby spoke to Australian Stage's Augusta Supple.

After making his mark in hometown Krakow in the early 1960s and bringing the free-jazz movement to Europe, Stanko has travelled the world with his challenging but delicate compositions.

On a phone from Warsaw, Stanko shares his musical motivations with Australian Stage's Georgia Fox

Wayne Blair is the recently appointed Artistic Associate of Belvoir St Theatre - what that means, he says, he’s not exactly sure - but he’s got an office.

The Chaser boys have been “striving for mediocrity in a world of excellence since 1999” and whether you love them or you hate them, they’re like tuberculosis; once you think they’ve quieted down, up they pop again.

Currently touring with their new stage show, The Age of Terror Variety Hour, Andrew Hansen spoke to Australian Stage's Amanda Tyler.

Growing up in Hobart in the early nineties, I remember only two notable trips to the ‘mainland’. The first was a family holiday that culminated in a much-anticipated trip to The Phantom of the Opera at the Princess Theatre. I bought the glow-in-the-dark tank top.

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Sprout

7th Floor presents Sprout, a timely piece set in a post-apocalyptic, environmentally ravaged Australia of the future.

Carly Wilding and Kylie Morrigan

Written during the depths of Melbourne’s lockdown Carly Wilding and Kylie Morrigan discuss their fantastical new show about friendship, freedom and encouraging the inner Celtic goddess in us all.

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As You Like It | Melbourne Theatre Company

It’s been a long time coming, but the Melbourne Theatre Company’s production of William Shakespeare’s As You Like It finally premiered at the Sumner Theatre.

Humble Boy | Adelaide Repertory Theatre

Bees, death, astrophysics, entymology, string theory, words, and most of all, relationships are all features of this engaging play, but you don't have to know anything about any of them to be able to enjoy this final production for 2021 of the Adelaide Rep.

Can of Worms | The Wharf Revue

After twenty-one years with the Sydney Theatre Company, the Wharf Review has jumped ship, so to speak, dropping their anchor of satirical rancour and mooring at the York Theatre in the Seymour Centre.

Love, Loss and What I Wore | Come One Come All Productions

The soul of this piece is not the clothes themselves but what is hidden or declared in reference to the garments and how the characters and the people in their lives remember them.

Prayer Machine | Red Stitch Actors' Theatre

It’s been a long time in the making but Red Stitch Actors' Theatre was at last able to present the world premiere of Prayer Machine

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2021 Creative Partnerships Awards

Creative Partnerships Australia announce the seven remarkable 2021 Creative Partnerships Awards recipients who generously provide support to enhance arts and culture across Australia.