The Australian Institute of Classical Dance presents Dance Creation 2008, which opens in Melbourne on 31 October 2008.

Anna Lozynski interviewed former Senior Artist of The Australian Ballet and emerging choreographer, Tim Harbour about the showcase.

Acclaimed Tasmanian-based puppet and visual theatre company, Terrapin, is currently engaged in a three-year exploration of 'digital puppetry.'

Australian Stage's Briony Kidd talks to Frank Newman, Artistic Director of Terrapin since 2007.

Multi-award winning writer, composer and musician Cynthia Hopkins performs as part of the 2008 Melbourne International Arts Festival.

Cynthia Hopkins spoke to Australian Stage’s Jan Chandler.

As part of the 2008 Melbourne International Arts Festival, Flemish theatre company, Victoria, is presenting That Night Follows Day directed by the multi-talented Tim Etchells, an artist, director and writer based in Sheffield, UK.

Anna Lozynski plays 20 questions with Tim Etchells.

Australian born, Rachael Osborne will be performing with the Batsheva Dance Company in Three and Max as part of the Melbourne International Arts Festival.

Amidst her busy rehearsal schedule, Rachael spoke to Australian Stage's Anna Lozynski about her foray into the international dance scene.

Renowned Canadian soprano, Barbara Hannigan, will be performing with the Schönberg Ensemble for the Melbourne International Arts Festival on October 10 in the Hamer Hall. She spoke to Australian Stage’s Olympia Bowman-Derrick about her passion for contemporary music.

Phillip Johnston’s work as a composer and musician extends across the arts having composed for theatre, dance, film and music. His live score of F.W. Murnau's silent film classic FAUST is being presented by ACMI as part of the 2008 Melbourne International Arts Festival.

He speaks to Australian Stage's Jan Chandler.

Oliver Wenn is a recent acting graduate from the National Institute of Dramatic Arts and is currently producer of the new sci-fi musical - Risky Lunar Love.

In the lead up to Opening Night he spoke to Australian Stage's Sonia Allan

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