Kirsty McCahon

‘I am the true me whenever I play on stage,’ says doublebass player Kirsty McCahon. ‘Sometimes I’m so tuned in to support a pianist in a chamber work I almost sit inside the piano.’

Kris Stewart

Matt O’Neill meets with Brisbane Powerhouse Artistic Director Kris Stewart to discuss the recent launch of Brisbane Powerhouse’s World Theatre Festival programme for 2014 – and ends up discussing so much more.

Gary Thorpe

On the eve of this year’s 4MBS Festival of Classics, Gillian Wills talks to Gary Thorpe about the Festival’s beginnings, its position in the context of other Queensland Festivals and some of the highlights of this year’s celebratory program.

Tobias Cole

Tobias Cole, a leading artist with Opera Australia, talks to Gillian Wills about Opera Queensland’s forthcoming production of J.S. Bach’s St Matthew Passion, a tragic story about betrayal and forbearance. 

Tim Corkeron

Go to an orchestral concert and the chances are your ear will be drawn to the violin, the cello, the clarinet, the flute or the oboe. The Queensland Symphony Orchestra’s new series Concerti Soloists affords audiences the chance to hear several “Cinderella” instruments in a new way.

Most read reviews

Merciless Gods | Little Ones Theatre

Arty Graphic Intense Funny Tragic Relentless and very very good.

The Lady in The Van | Melbourne Theatre Company

Bennett has always acknowledged that his garden guest Miss Shepherd, provided him with a wealth of material, but it is the analysis of his own part in this absurd situation that makes the story so compelling.

My Night With Reg | new theatre

My Night With Reg by Kevin Elyot is somewhat of a relic, a play about the plague years of the AIDS epidemic structured like a drawing room comedy of an even earlier era.

Comma Sutra | Louisa Fitzhardinge

It’s easy to imagine self-confessed grammar nerd Fitzhardinge, as the odd one out in the popular girls group at school.

Dr Felicity Rickshaw's Celebrity Sex Party | Holland St Productions

There is no question about the talents of this small ensemble, their voices and choral work are excellent and the writing is cleverly witty and extremely funny.

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