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Latest features
Melbourne launch of Muriel’s Wedding
After entertaining guests and media with an irreverent look back at the journey to find her, Director Simon Philips gave way to the young woman taking on the role of iconic outsider Muriel Heslop in the upcoming Melbourne and Sydney seasons of Muriel’s Wedding The Musical – and she’s anything but terrible!
Luke Leonard
I recently stumbled upon a story-telling night happening at Fitzroy's Kodiak Club. Run and MC'd by local comedian Luke Leonard, it was largely cast with other popular local comedians. But this was no mere comedy gig.
2018 Byron Writers Festival
Countdown to the 22nd Byron Writers Festival (‘Where Stories Take You’) and once again the Festival brochure is out, whetting our appetite for all things creative, in a writerly fashion!
Community news
Applications open for CAAP Directors Initiative
Applications are now open for the two-year Contemporary Asian Australian Performance (CAAP) Directors Initiative at Melbourne Theatre Company.
Artist Callout: 2018 Melbourne Cabaret Fringe Festival
The 2018 Melbourne Cabaret Fringe Festival is back!
Applications now open for 2018 Indigenous Scholarship Program
Melbourne Theatre Company, in partnership with the Wilin Centre for Indigenous Arts and Cultural Development at the Victorian College of the Arts, is proudly continuing the Indigenous Scholarship Program in 2018 with an expanded program designed to foster career pathways for young Aboriginal and Torres Strait Islander people interested in the performing arts.
Most read reviews
If ever you have been a school teacher, or a Sunday school teacher, or a parent – or if ever you have been a child, you will love this play!
The Hamlet Apocalypse is a curious event that is visually and aurally over the top and will keep your heart in your throat for the entire performance.
The third in the trilogy that began with Brighton Beach Memoirs and continued with Biloxi Blues, Broadway Bound is the conclusion story of Simon's pre-adulthood and of the seismic shift that simultaneously occurred between three generations of his family.
If Shakespeare created a lot of fun for his actors with this play, Phillips has boosted the comedy factor with his operatic vision, creating a spectacular entertainment and promising audiences a hilarious and joyous night out.
A sound mix mess spoils the party in a cacophony of screech and bellow and a crowded choreography of stomp and swing in Little Triangle's production of The Wild Party.