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Latest features
David Williamson
One of Australia’s most beloved playwrights, David Williamson continues his 50-year run of success with a return to his 1987 play, Emerald City.
Julia Zemiro
Julia Zemiro is a well-known Australian radio host, TV presenter, actor, writer, singer and comedian, who also happens to be the Artistic Director of the Adelaide Cabaret Festival – the largest such festival anywhere – for 2019 and 2020. She spoke to Australian Stage's Peter Bleby about the 2019 program.
Where's My Money?
John Patrick Shanley’s vicious black comedy, Where's My Money? returns to Melbourne under the direction of Beng Oh at The Burrow from November 20.
Community news
Applications open for CAAP Directors Initiative
Applications are now open for the two-year Contemporary Asian Australian Performance (CAAP) Directors Initiative at Melbourne Theatre Company.
Artist Callout: 2018 Melbourne Cabaret Fringe Festival
The 2018 Melbourne Cabaret Fringe Festival is back!
Applications now open for 2018 Indigenous Scholarship Program
Melbourne Theatre Company, in partnership with the Wilin Centre for Indigenous Arts and Cultural Development at the Victorian College of the Arts, is proudly continuing the Indigenous Scholarship Program in 2018 with an expanded program designed to foster career pathways for young Aboriginal and Torres Strait Islander people interested in the performing arts.
Most read reviews
War Horse is a detailed and dedicated tribute to the far-reaching suffering of all sentient beings in war and for lovers of theatre, extraordinary evidence of your passion.
Finely observed and rich with truth, it also has a score full of killer songs and knockout performances by its small but powerhouse cast.
Corpsing threatens to pile as high as the corpses on the Newcastle bound train in this production of the The Ladykillers.
Described as an "absurdist dark comedy", The Top Secret Violin Case ambitiously sets out to tell a story of the struggle to be true to self.
David Suchet's charm, modesty and gentle charisma come together to generate an unexpectedly commanding stage presence, whether simply in the mode of a delightful raconteur or in his brief moments of full-on character performance.