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Latest features
The Te Kopere Maori Healers
Nestled amongst the North Gate area of the Byron Bay Bluesfest is a nondescript tent that sits next to the Boomerang circle, but not to be fooled by it's commonplace appearance, inside you are transported to another world.
Tilly Legge
Australian Stage caught up with Tilly Legge as she takes on the commanding and demanding role of Vanda in Lightning Jar's latest production, Venus In Fur.
The Curious Incident
One of the most anticipated shows of the year, the National Theatre of Great Britain’s multi award-winning production of The Curious Incident of the Dog in the Night-Time opens in Melbourne tonight. Coinciding with this landmark production, the Arts Centre Melbourne has undertaken their largest ever Associated Program with almost fifty additional curious events designed to engage audiences and inspire the next generation of theatre makers.
Community news
Applications open for CAAP Directors Initiative
Applications are now open for the two-year Contemporary Asian Australian Performance (CAAP) Directors Initiative at Melbourne Theatre Company.
Artist Callout: 2018 Melbourne Cabaret Fringe Festival
The 2018 Melbourne Cabaret Fringe Festival is back!
Applications now open for 2018 Indigenous Scholarship Program
Melbourne Theatre Company, in partnership with the Wilin Centre for Indigenous Arts and Cultural Development at the Victorian College of the Arts, is proudly continuing the Indigenous Scholarship Program in 2018 with an expanded program designed to foster career pathways for young Aboriginal and Torres Strait Islander people interested in the performing arts.
Most read reviews
Welcome to The Flick, a Worcester, Massachusetts movie theatre, home to one of the last motion picture projectors in the state. The Flick is a dinosaur in the digital age, owned by an unseen proprietor and operated by a sassy projectionist and two general hands who clean and run the box office and the candy concession.
This is black humour indeed, but delivered with an unusually light and zany, almost manic style that is hilarious in moments of high comedy and sharp satire.
A kitchen sinker for the 21st Century, The Children cements playwright Lucy Kirkwood's place in contemporary theatre's pantheon of stylists with form.
The stories he tells us, at their heart, aren't really funny stories. And yet he has us laughing along with him. He tells us of his broken relationships, job loss, the “cancery” death of his mother, his homelessness... the miserable list goes on.
80 minutes long, one man on stage and a rapt audience. His name is Thomas, Tommo, and he’s about to die. That
Most read news
Applications are now open for the two-year Contemporary Asian Australian Performance (CAAP) Directors Initiative at Melbourne Theatre Company.
Sydney based designer Michael Hankin is the 2018 recipient of The Kristian Fredrikson Scholarship For Design in The Performing Arts.