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Latest features
Where's My Money?
John Patrick Shanley’s vicious black comedy, Where's My Money? returns to Melbourne under the direction of Beng Oh at The Burrow from November 20.
Susan-ann Walker
Susan-ann Walker (Funny Girl, Once, Xanadu, Menopause the Musical, Yummy, Subtle) returns to the cabaret stage, with her brand-new show, Not Quite Right.
I Love Mullumbimby
What makes a place more than “just a place”? A town, more than “just a town”. Sure, most of us choose to live in an area because it is close to work, or close to friends and relatives, or, if you have no choice (which is more likely in these shrinking times) where you can afford to live.
Community news
Applications open for CAAP Directors Initiative
Applications are now open for the two-year Contemporary Asian Australian Performance (CAAP) Directors Initiative at Melbourne Theatre Company.
Artist Callout: 2018 Melbourne Cabaret Fringe Festival
The 2018 Melbourne Cabaret Fringe Festival is back!
Applications now open for 2018 Indigenous Scholarship Program
Melbourne Theatre Company, in partnership with the Wilin Centre for Indigenous Arts and Cultural Development at the Victorian College of the Arts, is proudly continuing the Indigenous Scholarship Program in 2018 with an expanded program designed to foster career pathways for young Aboriginal and Torres Strait Islander people interested in the performing arts.
Most read reviews
Rosalind Franklin was one of the greatest scientists of the 20th century with her x-ray image, ‘Photograph 51’, revealing to the world for the first time that the intricacies and structure of DNA was in fact a double helix.
Without question one of the most astoundingly talented people I have ever seen and a lady worthy of incredible international demand.
Rita Kalnejais’ play First Love is the Revolution sounds like a love story set in social tumult but the revolt concerns not two star crossed lovers, but two cross species lovers, human Basti and vixen Rdeca.
It’s snickers over knickers in The Underpants.
I have rarely heard an audience so unanimously thrilled by something innovative in an opera performance. This is a wonderful experience of theatre.